Imeeji Idol Productions (
idolpro) wrote in
imeeji_frontstage2018-08-09 11:47 pm
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Entry tags:
- !days 021-030,
- !games,
- bride,
- jacob cross,
- ruler | kotomine shirou,
- xia igarashi,
- ♪ [_____],
- ♪ ace,
- ♪ ariel rendell,
- ♪ bakura ryou,
- ♪ crow armbrust,
- ♪ dazai osamu,
- ♪ hak,
- ♪ itsuki shu,
- ♪ jae-ha,
- ♪ kurusu akira,
- ♪ lace,
- ♪ majima goro,
- ♪ midoriya izuku,
- ♪ nalea "bluebird" sinclair,
- ♪ nathan summers | cable,
- ♪ nito nazuna,
- ♪ ogata hyakunosuke,
- ♪ rean schwarzer,
- ♪ shin-ah,
- ♪ suou tatsuya,
- ♪ wade wilson | deadpool,
- ♪ yami bakura,
- ♭ * asmodeus,
- ♭ * exael,
- ♭ akechi goro,
- ♭ ardashir ibn ahmadi,
- ♭ dantalion,
- ♭ kaiba seto,
- ♭ nakahara chuuya,
- ♭ niounomiya izumu,
- ♭ wadanohara,
- ♮ ouma kokichi,
- ♯ harukawa maki,
- ♯ kano shuuya,
- ♯ miya atsumu,
- ♯ miya osamu,
- ♯ ojiro sniper,
- ♯ sakazaki yuuya,
- 𝄳 dusk the miserable,
- 𝄳 yona
BETRAYAL AT THE HOUSE ON THE GAME TOWER - END
Who: Traitors and Survivors, Exael
Where: The Game Tower, and leaving it
When: Day 25, morning-- it appears that game lasted the bulk of day 24 into the night.
[ Abruptly, the nightmare ends.
You, in the rooms you kept restarting in, awoke. Before you can even panic, before even despair, the elevator doors were open in front of you to take you downstairs again. It could be a trap, sure, but your head is quiet— those fucking ghosts are gone. You also appear to be wet like someone dumped, perhaps, a bucket of holy water on you while you were asleep. All your wounds are gone, and you have been left bereft of any physical damage from your ordeal.
Unless you choose to take some with you. Nothing prevents you from taking any of your spoils downstairs with you, if you wish it, though all revolvers will have no ammo.
On the screens as you descend back to the lobby, Exael is clapping on screen, broadcast showing her in the mansion's entrance hall. "And so close the gates to this forbidden garden, and so closes this chapter of our story! Just as—" her hologram flickers as she doesn't seem to notice, chattering still to the cameras, "so too will—" fzzt, fzzt. Static, flickering, and then back into focus, "So give them all a hand! Everyone, you've done well! You stand before us still, ready to present us all with more marvels after having survived such grisly wonders with—" "—in the balance!"
As she speaks, she doesn't notice a figure approaching behind her. He's in a slick suit with both hands in his pockets, and you've seen him before— his portrait is in the foyer. His shoes are utterly silent as he walks across the marble floor, till he's right at her back.
"Audience and actors alike, we've been blessed with—" Her hologram doesn't flicker this time, but she stops speaking. Her eyebrows furrow as she tries to figure out what's amiss, and only belatedly begins to slowly look over her shoulder.
"Exael," he says with a friendly hand on her solidifying hologram shoulder, the effect spreading beneath his touch, "We need to have a chat about your requisitions paperwork."
She tilts her head, eyes wide with a finger tapping against her cheek as she thinks, "I didn't do any!"
"Yes," he agrees, smiling with all his teeth. "I know."
The broadcast cuts. The doors open to let you leave. ]
Where: The Game Tower, and leaving it
When: Day 25, morning-- it appears that game lasted the bulk of day 24 into the night.
[ Abruptly, the nightmare ends.
You, in the rooms you kept restarting in, awoke. Before you can even panic, before even despair, the elevator doors were open in front of you to take you downstairs again. It could be a trap, sure, but your head is quiet— those fucking ghosts are gone. You also appear to be wet like someone dumped, perhaps, a bucket of holy water on you while you were asleep. All your wounds are gone, and you have been left bereft of any physical damage from your ordeal.
Unless you choose to take some with you. Nothing prevents you from taking any of your spoils downstairs with you, if you wish it, though all revolvers will have no ammo.
On the screens as you descend back to the lobby, Exael is clapping on screen, broadcast showing her in the mansion's entrance hall. "And so close the gates to this forbidden garden, and so closes this chapter of our story! Just as—" her hologram flickers as she doesn't seem to notice, chattering still to the cameras, "so too will—" fzzt, fzzt. Static, flickering, and then back into focus, "So give them all a hand! Everyone, you've done well! You stand before us still, ready to present us all with more marvels after having survived such grisly wonders with—" "—in the balance!"
As she speaks, she doesn't notice a figure approaching behind her. He's in a slick suit with both hands in his pockets, and you've seen him before— his portrait is in the foyer. His shoes are utterly silent as he walks across the marble floor, till he's right at her back.
"Audience and actors alike, we've been blessed with—" Her hologram doesn't flicker this time, but she stops speaking. Her eyebrows furrow as she tries to figure out what's amiss, and only belatedly begins to slowly look over her shoulder.
"Exael," he says with a friendly hand on her solidifying hologram shoulder, the effect spreading beneath his touch, "We need to have a chat about your requisitions paperwork."
She tilts her head, eyes wide with a finger tapping against her cheek as she thinks, "I didn't do any!"
"Yes," he agrees, smiling with all his teeth. "I know."
The broadcast cuts. The doors open to let you leave. ]
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But the paper gets soft. F-folded too much. Like. Like cloth.
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I can figure it out if they could way back when.
...you said that, right?
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...Weaving? What's that got to do with anything?
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I r-ruined them.
I did them and undid them. And then I did them again, and they were just - paper. Paper doesn't - doesn't last.
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What-- It's paper. It doesn't need to last. It's fine.
[hesitates, something in her gut churns]
What happened to you?
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[He doesn't pull back, or let go with his right hand. But his left slips down into his pocket to come out with something. When he opens his hand there's a strip, about two inches long, of paper woven together. The weave is tight and neat, meticulous, but the paper itself is old: brittle and faded, bright colors overlaid with black sharpie, sharpie rubbed away to show the original colors again in places.]
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...How long did this take?
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I-it was early, so like.
[His voice breaks, and he gives up on the sentence. They're probably close enough that she can feel his chest heave when his breath hitches in, sharp and unsteady.]
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[Reflexively she squeezes him closer, attempting to be a solid anchor against his trembling. Jesus. She thinks about the hours she spent alone in that house. She thinks about just how old that paper looks.]
I'm so sorry.
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[His forehead drops onto the crook where her neck meets her shoulder, just resting there.]
So is. [He hesitates - swallows.] Is this like - ?
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We're out. --I mean, we're still in this shit place but not in that damned mansion.
[Another harsh breath]
You're out. This's real.
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[That's.]
[He has been needing to hear those words for actual, literal decades.]
[His face just crumples.]
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[At least chances are good that they're tears of overwhelming relief?]
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[..."Still" nothing; 100 years in a mirror deserves a good cry if anything does. Even if it didn't, she still wouldn't do anything but cling to him and try very hard not to think about the horrifying implications of all of this because she doesn't want her voice to wobble.]
It's okay. It's over. This was so, so shitty, but it's over now. You're out.
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[The words are making him cry harder, honestly, but mostly that's because they sound too good to be real.]
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[It's loud, and messy, and borderline hysterical. Probably the shoulder of her jacket is soaked by the time he's done.]
[But eventually - eventually - the out-and-out sobs give way to unsteady, hitched breathing and he just leans there, up against her.]
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[Eventually, hoarse and kind of shaky:]
...sorry. Your jacket's kinda. Kinda gross.
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...Been a gross night. Wire'll just have to scrub harder next time.
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