Imeeji Idol Productions (
idolpro) wrote in
imeeji_frontstage2018-08-09 08:58 pm
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Entry tags:
- !days 021-030,
- !games,
- ruler | kotomine shirou,
- xia igarashi,
- ♪ bakura ryou,
- ♪ crow armbrust,
- ♪ dazai osamu,
- ♪ kurusu akira,
- ♪ lace,
- ♪ majima goro,
- ♪ nathan summers | cable,
- ♪ rean schwarzer,
- ♪ suou tatsuya,
- ♪ wade wilson | deadpool,
- ♪ yami bakura,
- ♭ * exael,
- ♭ akechi goro,
- ♭ ardashir ibn ahmadi,
- ♭ dantalion,
- ♭ kaiba seto,
- ♯ harukawa maki,
- ♯ miya osamu,
- ♯ sakazaki yuuya,
- 𝄳 yona
BETRAYAL AT THE HOUSE ON THE GAME TOWER - SESSION 12 - FINAL
Who: Exael and the rest of you lot
When: To be inserted into the timeline after completion
What: Betrayal at the House on the Game Tower
[ The GAME ALERT and map show on the screen of your phones— idols, you know what to do!
The Game Tower elevator doors are open to receive, and close once they have you in their confines and the broadcast monitors click on. You can keep an eye on the city further and further below you, as watch with your host's introduction to today's game.
At the very least it's not Mukuro's face on the screen this time. Instead it's Exael again, pigtails bouncing as she hops up from a grand low bow— it looks like they cut part of her broadcast spiel for you guys. With a showman's flair, she twirls and splays her arms as the camera zooms out to focus on a grand mansion, more Hollywood glamor than anything belonging in Tokyo.
"Summer has come to Tokyo, and so has the season's specialty: The Trial of Courage! Step right up, and charge right in because waiting won't help you at all! Here is a place even angels fear to tread! Azzy's very own, The House of Mirth and Betrayal! This place has a sordid past that casts a shadow as long as the valley of death, and soon our Idols will be adding their own pages to the tale!"
The elevator stops atop the central tower of the Tokyo Metropolitan Government building and then lurches unpleasantly, wrenching itself out of where elevators ought to go. The sudden movement jolts you, and when the doors open you spill out into into a room.
Hopefully, with not too much time missing. ]
When: To be inserted into the timeline after completion
What: Betrayal at the House on the Game Tower
[ The GAME ALERT and map show on the screen of your phones— idols, you know what to do!
The Game Tower elevator doors are open to receive, and close once they have you in their confines and the broadcast monitors click on. You can keep an eye on the city further and further below you, as watch with your host's introduction to today's game.
At the very least it's not Mukuro's face on the screen this time. Instead it's Exael again, pigtails bouncing as she hops up from a grand low bow— it looks like they cut part of her broadcast spiel for you guys. With a showman's flair, she twirls and splays her arms as the camera zooms out to focus on a grand mansion, more Hollywood glamor than anything belonging in Tokyo.
"Summer has come to Tokyo, and so has the season's specialty: The Trial of Courage! Step right up, and charge right in because waiting won't help you at all! Here is a place even angels fear to tread! Azzy's very own, The House of Mirth and Betrayal! This place has a sordid past that casts a shadow as long as the valley of death, and soon our Idols will be adding their own pages to the tale!"
The elevator stops atop the central tower of the Tokyo Metropolitan Government building and then lurches unpleasantly, wrenching itself out of where elevators ought to go. The sudden movement jolts you, and when the doors open you spill out into into a room.
Hopefully, with not too much time missing. ]
It is Meant to Be
Roll 4 dice, and respond with the results. For one future die roll of your choice that you attempt, you can use that number instead of rolling. If that number is higher than the max possible result, use the max possible result instead.
Re: It is Meant to Be
THE NUMBER IS 1!! How useful.]
Ugh...
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so instead he just stands there awkwardly and waits]
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Ah... I'm fine, I think... it was just some kind of vision. I'm not sure... it was pretty bad.
[she looks up at Boss and then over at A]
You didn't see anything...?
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... and smiles.
oh, he knows.]
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...Sorry, I didn't see anything.
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She rises to her feet slowly and looks between them again.]
What's going on?
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Strange things stopped happening... after I got out.
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[fffffffff not now, not when we are so close to the beautiful chrome kitchen]
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...Why don't we just stay here for a while? It seems like no one else is here.
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That's fine.
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...We're right next to the kitchen. I can go get knives or cake or whatever else. You two could use a moment alone, I'm sure.
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That's too dangerous. I don't care what problems you guys have right now, I said we're sticking together.
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he... kind of laughs?
HE'S JUST SO... HAPPY?]
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...What's so funny?
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she kind of mutters]
I'm glad I found both of you again.
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but right now just. so happy. he could cry. and instead. that kind of laughter.]
I've been... waiting. So long. So, so long. You're here, you're both here.
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...Stop it, both of you. I already know I'm the third wheel here.
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[Probably she yells that too loud. The creeping feeling that something is Wrong here is almost worse than knowing for sure they've become a threat—she doesn't know what to do, what kind of comforting or reassurance would help, or if anything can. Her own hand tightens around her dagger for lack of anything else to do.]
You're important to me, you're the one who understands me best, you know that. You're both important to me, and I realize that's awkward, but maybe in the middle of a nightmare murder house is not the best time be concerned about that!
[her voice rises again towards the end.]
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cuts off his laughing.
mostly because he brings a hand up to kind of. chew thoughtfully(?) at the glove covering the pad of a finger, still smiling at A but it's thoroughly. a sharp, pleasantly unpleasant thing.]
He thinks we're lying. Of course, of course--liars think everyone's a liar and everyone betrays so everyone's a liar, but we're not lying? When have we lied? We haven't lied about this, have we, Maki? I don't think we have, I don't think so--I haven't. Maki hasn't. A has.
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[going a little wild-eyed]
Even Maki... you went straight to him, didn't you? All touchy-feely like I'm not even here.
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[makes a distressed, frustrated noise, and turns to Boss, who is also being distressing, but maybe in a less immediate way? who knows. she was not prepared for this romantic conflict in normal circumstances let alone crazed murder circumstances.]
You lay off. You should know as well as anyone what it's like to not feel like you have anyone you can trust.
[back to A]
...Look...
[she breaks off in a strangled sigh, and glances at Boss one more time before crossing the distance to A to kiss him]
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he only moves a little closer, almost without thinking, but still a fair distance because. axe. and Maki's kinda in the way there. so.]
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I'm sorry. I didn't mean it. Please, can we just go? I get so lonely.
[He hasn't even noticed that the room has closed off.]
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