Imeeji Idol Productions (
idolpro) wrote in
imeeji_frontstage2018-08-09 08:58 pm
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Entry tags:
- !days 021-030,
- !games,
- ruler | kotomine shirou,
- xia igarashi,
- ♪ bakura ryou,
- ♪ crow armbrust,
- ♪ dazai osamu,
- ♪ kurusu akira,
- ♪ lace,
- ♪ majima goro,
- ♪ nathan summers | cable,
- ♪ rean schwarzer,
- ♪ suou tatsuya,
- ♪ wade wilson | deadpool,
- ♪ yami bakura,
- ♭ * exael,
- ♭ akechi goro,
- ♭ ardashir ibn ahmadi,
- ♭ dantalion,
- ♭ kaiba seto,
- ♯ harukawa maki,
- ♯ miya osamu,
- ♯ sakazaki yuuya,
- 𝄳 yona
BETRAYAL AT THE HOUSE ON THE GAME TOWER - SESSION 12 - FINAL
Who: Exael and the rest of you lot
When: To be inserted into the timeline after completion
What: Betrayal at the House on the Game Tower
[ The GAME ALERT and map show on the screen of your phones— idols, you know what to do!
The Game Tower elevator doors are open to receive, and close once they have you in their confines and the broadcast monitors click on. You can keep an eye on the city further and further below you, as watch with your host's introduction to today's game.
At the very least it's not Mukuro's face on the screen this time. Instead it's Exael again, pigtails bouncing as she hops up from a grand low bow— it looks like they cut part of her broadcast spiel for you guys. With a showman's flair, she twirls and splays her arms as the camera zooms out to focus on a grand mansion, more Hollywood glamor than anything belonging in Tokyo.
"Summer has come to Tokyo, and so has the season's specialty: The Trial of Courage! Step right up, and charge right in because waiting won't help you at all! Here is a place even angels fear to tread! Azzy's very own, The House of Mirth and Betrayal! This place has a sordid past that casts a shadow as long as the valley of death, and soon our Idols will be adding their own pages to the tale!"
The elevator stops atop the central tower of the Tokyo Metropolitan Government building and then lurches unpleasantly, wrenching itself out of where elevators ought to go. The sudden movement jolts you, and when the doors open you spill out into into a room.
Hopefully, with not too much time missing. ]
When: To be inserted into the timeline after completion
What: Betrayal at the House on the Game Tower
[ The GAME ALERT and map show on the screen of your phones— idols, you know what to do!
The Game Tower elevator doors are open to receive, and close once they have you in their confines and the broadcast monitors click on. You can keep an eye on the city further and further below you, as watch with your host's introduction to today's game.
At the very least it's not Mukuro's face on the screen this time. Instead it's Exael again, pigtails bouncing as she hops up from a grand low bow— it looks like they cut part of her broadcast spiel for you guys. With a showman's flair, she twirls and splays her arms as the camera zooms out to focus on a grand mansion, more Hollywood glamor than anything belonging in Tokyo.
"Summer has come to Tokyo, and so has the season's specialty: The Trial of Courage! Step right up, and charge right in because waiting won't help you at all! Here is a place even angels fear to tread! Azzy's very own, The House of Mirth and Betrayal! This place has a sordid past that casts a shadow as long as the valley of death, and soon our Idols will be adding their own pages to the tale!"
The elevator stops atop the central tower of the Tokyo Metropolitan Government building and then lurches unpleasantly, wrenching itself out of where elevators ought to go. The sudden movement jolts you, and when the doors open you spill out into into a room.
Hopefully, with not too much time missing. ]
Re: Foyer
She looks around the room like she's expecting something else to be here?? She had herself worked up and now she's alone...
Well, time to hang out and wait, she guesses. That's not nervewracking at all.]
Re: Foyer
Maki! Sorry to keep you waiting.
Re: Foyer
...No, I haven't been here long.
[She looks fine, although slightly cobwebby herself. ...And she appears to have acquired a nasty-looking dagger with tubes and needles extending from the handle and plunging into the veins of her arm, I guess.]
Are you okay?
Re: Foyer
[noting the dagger]
Are you? That looks painful.
Re: Foyer
Re: Foyer
suddenly...
a younger version of the dude in the portrait???
except he stops short to. stare. at the two of them.]
Re: Foyer
Boss...
Re: Foyer
[Well she is going to go over to try to hug him.]
Re: Foyer
until it registers that this isn't some hallucination and then it's a crushing hug and he's. a bubble of laughter comes up like a sob and he really can't even be bothered to keep it down.]
Re: Foyer
Re: Foyer
Are you—it's stupid to ask if you're okay, I'm sure you're not, but...
Re: Foyer
but
words... are. really hard???]
Phoenix and Sanguine... have been trying.
[to look after him, to help him. they've been trying really hard, Maki.]
Re: Foyer
...Apologies for interrupting the happy reunion, but this location sees a lot of traffic. We should move somewhere a bit more off the beaten path.
Re: Foyer
[She pulls mostly away, but she slides her (non-dagger-occupied) hand down to hold Boss's]
Where should we go?
Re: Foyer
... not the dining room.
[a pause.]
Or attic.
[DO NOT TRUST ALECHEMES AND MIRRORS HISS.]
Re: Foyer
It also has cake, though I must say I'm reluctant to try it.
Re: Foyer
[this is a normal thing to offer. she doesn't actually pull them out of her belt, though, since that would require letting go of his hand]
But the kitchen seems like a decent place anyway. Which way is it?
Re: Foyer
someone didn't really get a lot of chances to explore.]
Re: Foyer
Re: Foyer
[FOLLOWS HIM TRUSTINGLY, tugging on Boss's hand]
Re: Foyer
... except he's taking the opportunity to lace his fingers with Maki's and also loop their arms together and if you think he is too close, that's too bad.]
Re: Foyer